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Eviction
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No Bullshit
title No Bullshitdescription "An "invasion" of doorknobs gathering to resist displacement and eviction. "No Seremos Desalojados." Colors used: Fire Red, Orange, Teal, Purple, Dark Purple, Dark Fuscia Coventry Rag, 290 gms. I-size: 16" x 22"; P-size: 20' x 26"; Ed#4/88, 6/88; prnt: José Alpuche; mtrx: destroyed; signed. lower left;The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Attyah, David "Think Again"subject Posters Mexican American Art Chicano Art Prints Art, Abstract Mexican Americans Eviction Graphic Arts Chicanoscontributor Calisphere -
Community Control Of The Land
title Community Control Of The Landdescription "A business executive is standing over the city of Los Angeles, with a rolled up bunch of eviction notices. There are two devil horns protruding from his bald head, and his eyes are red with evilness. Around his feet are cockroaches and a rat. On the left side of the print is the resistance, the Latina woman organizer speaking into a megaphone, calling all neighbors to raise up against the redevelopment forces and protect their homes. In the lower center of the print there is an African American woman with her child, staring at the viewer. These are the people who will be displaced. The poster reads "Alto A Los Desalojos!" and "Stop the Evictions!" Housing is a human right. For many people of color, the issue of land and housing is one that dates back to over 500 years, beginning with the rape of land and housing is one that dates back to over 500 years, beginning with the rape of Indian land by white colonizers, the theft of Mexican territories, the racist policies that prohibited black people from owning land. Today, working class people of color are at the mercy of big businessand corporate greed, which exploit the land for profit and destroy communities. The basic demand for community control of the land, which was set forth by our revolutionary predecessors, is still relevant to us today. Black Panther Party 13 Point Platform Program #4: We want decent housing that is fit for shelter of human beings. We believe that if the white landlords will not give decent housing to our black community, then the housing and land should be made into cooperatives, so that our community, with government aid, can build and make decent housing for its people. Brown Beret Platform #9[:] We demand housing fit for human beings. Red Guard Platform #2[:] We want decent housing and help in child care. Young Lords Platform[:] We want community control of our institutions and land. The Figueroa Corridor in Downtown Los Angeles is in [a] large battle with city redevelopers" Colors used: Yellow, Flesh, Orange, Red, Ultramarine Blue, and Black. Special Project; Coventry Rag, 290 gms. I-size: 22" x 16"; P-size: 26" x 20"; Ed#: 4/85, 6/85; prnt: José Alpuche; mtrx: destroyed. signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Rodríguez, Faviannasubject Posters Devil In Art Mexican American Art Dwellings In Art Insects In Art Community Neighborhoods Barrios Chicano Art Prints Mexican Americans Chicana Art Human Rights Eviction Chicanas Graphic Arts Chicanoscontributor Calisphere -
Rio, Por No Llorar
title Rio, Por No Llorardescription "A Brazilian (or Latin) woman in carnival costume & fruit headdress [slice of watermelon, can of coffee, bunch of bananas, etc.] entwined in barbed wire & thorns. The figure [is] bordered by a film strip & musical instruments." Atelier 12; Westwinds (heavyweight); I-size: 36" x 23"; P-size: 39" x 26"; Ed#: 30/59; Signed;, Inscription in pencil below the image reads: "30/59, Rio, Por No Llorar, A Donis"print: Oscar Duardo; chopmark: embossed "SHG" on the lower right hand side COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu Colors used: 1. Green/Light Lime Green, 2. Grown, 3. Red, 4. Flesh, 5. Orange-Yellow, 6. Purple/Magenta, 7. Lt. Pastel Green, 8. Yellow, 9. Tran. Light Flesh, 10. Blue (Tran.), 11. Black, 12. Tran. White. "Basically my print is a statement about oppression. It's about poeple who struggle to survive while thier lands are stripped away and her (sic.) resources siphoned. I recently read the lyrics to a song which I think most clearly defines my piece: '...So take a good look at my face, You'll see my smile looks out of place, Look even closer it's (sic.) easy to trace, The track (sic.) of my tears." A. Donisartist/creator Donis, Alexcontributor Calisphere -
The Key
title The Keydescription "Four adult figures plus one child pushing against green man with City Hall in his pocket. Two figures holding house with large key hole. Key up in the air between reaching hands with sky background." Colors used: Golden Yellow, Light Brown, Brown, Cyan, Red, Dark Brown. Coventry Rag, 290 gms; I-size: 16" x 22"; P-size: 20" x 26"; Ed#: 4/89, 6/89; prnt: José Alpuche; mtrx: destroyed; signed, lower left The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Crute, Jerolynsubject Posters Mexican American Art Politicians Dwellings In Art Chicano Art Prints Mexican Americans Eviction Graphic Arts Chicanoscontributor Calisphere -
Respect
title Respectdescription "A developer is hammering the spike of Gentrification intop a building covered with the American flag and destroying it. The residents are facing the developer in silhoette spelling out the word RESPECT across their backs. A larger figure represents "Justice & Dignity" has denoted expensive roots below which are being eaten by termites of greed and indifference. The developers hands also eat at the community by roots and are being showered with money." Coventry Rag, 290 gms. I-size: 16" x 21 1/2"; P-size: 20" x 26"; Ed#: 4/91, 6/91; prnt: José Alpuche; mtrx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Mendoza, Ricardosubject Posters Mexican American Art Dwellings In Art Insects In Art Money In Art Symbolism Chicano Art Prints Mexican Americans Flags In Art Eviction Graphic Arts Chicanoscontributor Calisphere -
They Mistook The Determination In Our Eyes For Hopelessness
title They Mistook The Determination In Our Eyes For Hopelessnessdescription "Hand lettered text at top of print within speed bubble reads "Si no hay lucha no hay victoria". Image is distorted such that it appears to have been taken through a fish eye lens. A woman stands on a side walk with her child in one arm at the center of the print. In the other hand she holds a small iconic home. In simple gray lettering "home" floats below it. In back of her you can see a wall with a mural of stylized figures raising fists and identical men in suits painted over." Colors used: light violet, warm orangs (trans), mustard yellow (trans), gray violet, purple, and transparent white (trans). Coventry Rag 290 gms. I-size: 16" 22"; P-size: 20" x 26"; Ed#: 4/83, 6/83; prnt: José Alpuche; mrtx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Teruya, Weston Takeshisubject Posters Dwellings In Art Asian Americans Chicano Art Children And Adults In Art Asian American Art Eviction Graphic Arts Chicanoscontributor Calisphere -
Cliché Inversion
title Cliché Inversiondescription "The shape of the tree is formed with the word "TU CASA ES MI CASA". Poring [sic] out from the leaves is a deranged pig wearing a poor ball helmet and holding a carfe football over the head of a dazed and angry canary who sits in his broken shell on the ground with egg yolk dripping off of his head from the other eggs the pig has cast to the ground." "CLICHE' inversion takes the familiar CLICHE 'MI CASA ES TU CASA' and fups it to now !AY 'TU CASA ES MI CASA'. This statement is the pigs spin in the phrase as he has scaled up a tree and kicked out its inhabitants (A SMALL CANARY) and its unhatched siblings with no regard to the fact that the birds were there first to say nothing of the fact that in general, trees are homes to birds, even squirrels but never pigs. Symbolically, the pig with his football helmet represent the greed of capitalistic developers - specifically the powers that be behind the football stadium currently being proposed for downtown Los Angeles. The helpless canary is both bewilder[ed] and angry at this hostile take over. The canary represents the people who live in the proposed stadium site. The Broken eggs that ( ) the landscape are literally bird embryos. These represent the destruction of dreams, futures and quite possibly the lives of those persons ( ) in 'STADIUM LAND' and the ripple that this variety of displacement ( ) has for the residents children/family." Colors used: Black, Bright Red, Crayola Yellow, Medium Brown, Forest Green, and Bubble gum Pink. S P; Coventry Rag, 290 gms; I-size: 22" x 16"; P-size: 26" x 20": Ed#: 4/73, 6/73; prnt: José Alpuche; mrtx: destroyed; signed. lower left; The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Memphissubject Posters Mexican American Art Animals In Art Dwellings In Art Money In Art Sports In Art Community Chicano Art Prints Mexican Americans Eviction Graphic Arts Chicanoscontributor Calisphere