Mexican American Art Since 1848 (MAAS1848)

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  (Title Unknown)

  title (Title Unknown) 

  description Cat.7 003(2)  From El Día de los Muertos 1984 exhibition and celebration at Galería de la Raza (October 26-November 10, 1984). Work is an installation, consisting of a constructed "wall", painted blue and surrounded with bows and lace. Each panel features one or two words which compose the message, "Mientras La Sociedad Nos Da La Espalda Morimos Miles Y Miles Y Miles Y Miles Y Miles Y Miles Y Miles AIDS/SIDA". A note attached to the center of the piece is illegible, although the last two words are distinguishable: "AIDS/SIDA".  The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org 

  artist/creator Artist Unknown 

  subject Aids (Disease)  Mexican American Art  Sculpture  Lace And Lacemaking  Acquired Immunodeficiency Syndrome  Chicano Art  Diseases In Art  Alienation  Death In Art  Día De Los Muertos  Mexican Americans  Chicanos  Epidemics 

  contributor Calisphere 
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  Things I Never Told My Son About Being A Mexican

  title Things I Never Told My Son About Being A Mexican 

  description Cat.3 067(17)  From Yolanda M. López's Cactus Hearts/Barbed Wire Dreams: Media-Myths and Mexicans Exhibition (curated by Enrique Chagoya, Yolanda López and René Yáñez). Installation piece. A wall has been decked with items and words associated with Mexican national identity. Text reads, "Things I Never Told My Son About Being A Mexican"  The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Galeria de la Raza 2857 24th Street San Francisco, California 94110 t: 415.826.8009 Phone: 1-415-826-8009 E-mail: info@galeriadelaraza.org Web: http://www.galeriadelaraza.org 

  artist/creator López, Yolanda M. 

  subject Children In Art  Mexican American Art  Ethnicity In Art  Stereotypes  Cultural Customs  Assimilation (Sociology)  Art - Exhibitions  Chicano Art  Mass Media And The Arts  Alienation  Identity  Chicana Art  Installations (Art)  Mexican Americans  Chicanas  Clothing And Dress In Art  Chicanos  Clothing and dress 

  contributor Calisphere 
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  And His Image Was Multiplied

  title And His Image Was Multiplied 

  description Atelier 14; Ed#: 5/55, 16/55; prnt: Oscar Duardo; mtrx: Destroyed; Signed;, Inscription in pencil located below the image area reads: "4/55, signature and 90" Signed;, Inscription in pencil on the bottom reads: "16/55, Giullermo Bert/90"print: Oscar Duardo; chopmark: "SHG embossed insignia" located in the lower left corner underneath the image.  COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.edu  Six collaged images. Four photo-silkscreened, large 1 1/2" letters at the bottom. Colors are magenta, red, black, gold, green, blue, yellow, and white. Center blue television has an image of "The Creation," Michelangelo's Sistene Chapel's forearms, two fingers touching. There also is a negative image of agricultural workers from the Phillipines on a light green background. "The print is called...AND HIS image was multiplied...and is referred to the alienation that the people who live in a super metropolis experience. Human beings are separated from a direct contact with nature. The 'her son' became a mere reflection of self, these entities are defined by the image of them within the little box of a television set." G. Bert.  Westwinds (heavyweight); image size: 35 1/2" X 24 1/2"; paper size: 37 1/2" X 26" #Prints: 2. 

  artist/creator Bert, Guillermo 

  subject Mexican American Art  Television  Chicano Art  Alienation  Hand In Art  Symbolism  Mexican Americans  Chicanos 

  contributor Calisphere