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México en la Guerra: Los Braceros se van a Estados Unidos
title México en la Guerra: Los Braceros se van a Estados Unidosdescription Linocut on paper, 8.5 in. x 11.5 in. Taller de Gráfica Popular, Mexico City, MX. From the portfolio, 450 Years of Struggle: Tribute to the Mexican People / 450 Años De Lucha: Homenaje al Pueblo Mexicano. Both on the battle fronts, such is the case of Squad 201, as in the rear, Mexico cooperated to make possible the resounding triumph of the United Nations. True to its commitments, our Government sent thousands of peasants from all over the Republic to the neighboring country of the North, who worked in the American agricultural fields that supplied the Allied soldiers on the battle fronts.subject Borderlands Frontera Bracero War World (1939-1945) World War II Taller de Gráfica Popular (Mexico City, Mexico) (TGP) TGP Linocuts Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
La Mesilla
title La Mesilladescription Linocut on paper, 8.5 in. x 11.5 in. Taller de Gráfica Popular, Mexico City, MX. From the portfolio, 450 Years of Struggle: Tribute to the Mexican People / 450 Años De Lucha: Homenaje al Pueblo Mexicano. The terrifying territorial mutilation suffered by Mexico at the hands of the United States as a consequence of the war of 1846-1847, and of the concessions made to the invader in the Treaty of Guadalupe Hidalgo, was well added soon another. An extensive strip of territory, on the southern border of New Mexico, including the town called La Mesilla, was acquired through the Gadsden Purchase. The Americans claimed that it belonged to the State of New Mexico and that it was essential for them to build a railway. Santa Anna sold it for a paltry sum and signed the shameful treaty for its transfer on May 31, 1854.artist/creator Aguirre, Ignaciosubject Borderlands Frontera Taller de Gráfica Popular (Mexico City, Mexico) (TGP) TGP Santa Anna, Antonio López de, 1794-1876 New Mexico--La Mesilla Linocuts Prints Gadsden Purchase Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
El Santanismo
title El Santanismodescription Linocut on paper, 12 in. x 8.5 in. Taller de Gráfica Popular, Mexico City, MX. From the portfolio, 450 Years of Struggle: Tribute to the Mexican People / 450 Años De Lucha: Homenaje al Pueblo Mexicano. Not without reason, the figure of Antonio López de Santa Anna—eleven times President during the first stage of independent Mexico—is considered one of the most abominable in our history. He was, in his long military and political career, a realist, a supporter of independence, a monarchist, a republican. He was the typical caudillo of those late times. He ruled according to the reaction. He protected militarism and clericalism and culminated his disastrous performance in the war with the United States of America, in which Mexico lost half of its original territory.artist/creator Mora, Franciscosubject Borderlands Frontera Taller de Gráfica Popular (Mexico City, Mexico) (TGP) TGP Mexican-American War (1846-1848) Santa Anna, Antonio López de, 1794-1876 Linocuts Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Compraventa De Naciones
title Compraventa De Nacionesdescription Linocut on paper, 11.5 in. x 8.5 in. Taller de Gráfica Popular, Mexico City, MX. From the portfolio, 450 Years of Struggle: Tribute to the Mexican People / 450 Años De Lucha: Homenaje al Pueblo Mexicano. The war unleashed by the United States against Mexico in the middle of the previous century, culminated with a sale and purchase operation. Santa Anna agreed to sell a large part of the national territory to the Americans. These were used, for their conquest, weapons, and, perhaps, bribery. From that ignominious chapter in our history, only the patriots were saved who, like Generals Pedro María Anaya and Nicolás Bravo, defended the country with bizarreness, although they were defeated and betrayed.artist/creator Bracho, Ángelsubject Borderlands Frontera Nations Sales Taller de Gráfica Popular (Mexico City, Mexico) (TGP) TGP Mexican-American War (1846-1848) Linocuts Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Los Niños Héroes
title Los Niños Héroesdescription Linocut on paper, 11.5 in. x 8 in. Taller de Gráfica Popular, Mexico City, MX. From the portfolio, 450 Years of Struggle: Tribute to the Mexican People / 450 Años De Lucha: Homenaje al Pueblo Mexicano. Barely a quarter of a century had passed since the consummation of Independence, when Mexico was militarily attacked by the United States of America. The United States armies entered the capital of the Republic and only withdrew when, through the Treaty of Guadalupe Hidalgo, the United States annexed half of the Mexican territory to their country. Glorious incarnation of the resistance of our people were the cadets of the Military College who fought recklessly in the Castle of Chapultepec against an enemy far superior in number and weapons, and fell, on September 13,1847, bequeathing to the new generations an example of virile patriotism.artist/creator Mora, Franciscosubject Borderlands Frontera Taller de Gráfica Popular (Mexico City, Mexico) (TGP) TGP Linocuts Prints Children Heroes Mexican-American War (1846-1848) Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Uncle Sam is Having a Bad Day
title Uncle Sam is Having a Bad Daydescription Linocut on paper, 15 in. x 16 in. Uncle Sam being tormented by demons in the desert.artist/creator Rodriguez, Artemiosubject Uncle Sam (Symbolic character) Demons Desert Plants Demonios Politics in art Linocuts Prints Life and Experiences in the U.S./Mexico Borderlands (exhibition)contributor Mexic-Arte Museum (MAM) -
Los Pintos
title Los Pintosdescription Lino cut image of three vatos on an orange background. "Artists experimenting with multicolored linoleum." The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: José Montoya c/o California Ethnic and Multicultural Archives Library – CEMA University of California, Santa Barbara, CA 93106 Phone: (805) 893-8563 E-mail: cema@library.ucsb.eduartist/creator Montoya, Josésubject Mexican American Art Cholos Chicano Art Prints Mexican Americans Graphic Arts Chicanos Linocutscontributor Calisphere