Search Results
Subject is exactly
Crucifixion
Use buttons below to view additional pages.
-
Asco's Stations of the Cross
title Asco's Stations of the Crossdescription Asco, Seymour Rosen, Asco's Stations of the Cross, 1971, printed 2018, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.3.3, © 1971, SPACES- Saving and Preserving Arts & Cultural Environmentscontributor Smithsonian American Art Museum (SAAM) -
Asco's Stations of the Cross
title Asco's Stations of the Crossdescription Asco, Seymour Rosen, Asco's Stations of the Cross, 1971, printed 2018, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.3.2, © 1971, SPACES- Saving and Preserving Arts & Cultural Environmentscontributor Smithsonian American Art Museum (SAAM) -
Asco's Stations of the Cross
title Asco's Stations of the Crossdescription Asco, Seymour Rosen, Asco's Stations of the Cross, 1971, printed 2018, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.3.1, © 1971, SPACES- Saving and Preserving Arts & Cultural Environmentscontributor Smithsonian American Art Museum (SAAM) -
Liturgical Cross
title Liturgical Crossdescription Ramón José López, Liturgical Cross, 1998, silver, wood, mica, pigment, Smithsonian American Art Museum, Museum purchase made possible by William T. Evans, 1998.163A-E, © 1998, Ramon Jose Lopezartist/creator López, Ramón Josécontributor Smithsonian American Art Museum (SAAM) -
Farm Workers' Altar
title Farm Workers' Altardescription Emanuel Martinez, Farm Workers' Altar, 1967, acrylic on mahogany and plywood, Smithsonian American Art Museum, Gift of the International Bank of Commerce in honor of Antonio R. Sanchez, Sr., 1992.95artist/creator Martinez, Emanuelcontributor Smithsonian American Art Museum (SAAM) -
Crucifix
title Crucifixdescription José Mondragón, Crucifix, 1971, carved wood with leather, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.257artist/creator Mondragon, Josecontributor Smithsonian American Art Museum (SAAM) -
Station of the Cross: Descent from the Cross
title Station of the Cross: Descent from the Crossdescription Jean Charlot, Station of the Cross: Descent from the Cross, 1934, lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.291.28artist/creator Charlot, Jeancontributor Smithsonian American Art Museum (SAAM) -
Station of the Cross: Christ Nailed to the Cross
title Station of the Cross: Christ Nailed to the Crossdescription Jean Charlot, Station of the Cross: Christ Nailed to the Cross, 1934, lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.291.26artist/creator Charlot, Jeancontributor Smithsonian American Art Museum (SAAM) -
Station of the Cross: Christ Crucified
title Station of the Cross: Christ Crucifieddescription Jean Charlot, Station of the Cross: Christ Crucified, 1934, lithograph, Smithsonian American Art Museum, Gift of Jack Lord, 1971.291.27artist/creator Charlot, Jeancontributor Smithsonian American Art Museum (SAAM) -
Commemoration Of The Twentieth Anniversary Of The Tlatelolco Student Massacre: Detail Of Art Piece
title Commemoration Of The Twentieth Anniversary Of The Tlatelolco Student Massacre: Detail Of Art Piecedescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Mannequin on a cross. Plaza Santa Cecilia, Tijuana, Mexico. Photographs Plaza Santa Cecilia, Tijuana (Baja California, Mexico)artist/creator Artenstein, Isaacsubject Crucifixion Crosses Tlatelolco Massacre (Mexico City, Mexico : 1968) Memorials Mannequins (Figures)contributor Calisphere -
Cruci-Fiction Project: Performance Still
title Cruci-Fiction Project: Performance Stilldescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) From the series, "Rituals for the End of the Century." Photograph by Cynthia Wallis. Image taken from a promotional postcard. Golden Gate National Recreation Area (Marin, California) Guillermo Gómez-Peña and Roberto Sifuentes staged “The Cruci-Fiction Project” in 1994, attaching themselves to 12 by 8 foot crosses at Rodeo Beach, Marin Headlands Park in front of 300 invited guests and members of the press. The performance was meant to be a critique of the state-sponsored enmity of people of color, specifically Latinos, in California. Guillermo Gómez-Peña represents the undocumented bandito, crucified by America's fears of cultural otherness. Performing Arts (including Performance Art) Photographscontributor Calisphere -
Cruci-Fiction Project: Performance Still
title Cruci-Fiction Project: Performance Stilldescription Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) From the series, "Rituals for the End of the Century." Photograph by Neph Navas. Image taken from a promotional postcard. Golden Gate National Recreation Area (Marin, California) Guillermo Gómez-Peña and Roberto Sifuentes staged “The Cruci-Fiction Project” in 1994, attaching themselves to 12 by 8 foot crosses at Rodeo Beach, Marin Headlands Park in front of 300 invited guests and members of the press. The performance was meant to be a critique of the state-sponsored enmity of people of color, specifically Latinos, in California. Roberto Sifuentes represents the generic gang member who has been crucified by the Los Angeles Police Department. Performing Arts (including Performance Art) Photographscontributor Calisphere