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Down with the Whiteness
title Down with the Whitenessdescriptionartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Obama from Douglass
title Obama from Douglassdescription Rupert García, Obama from Douglass, 2010, pigment inkjet on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.42.5, © 2010, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
¡Fuera de Indochina!
title ¡Fuera de Indochina!descriptionartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
La Llorona Desperately Seeking Coyolxauhqui
title La Llorona Desperately Seeking Coyolxauhquidescriptionartist/creator Lopez, Almasubject Prints Chicana art Feminism Coyolxauhqui (Aztec deity) Visual quotation Coatlicue (Aztec deity)contributor Smithsonian American Art Museum (SAAM) -
It's Simple Steve
title It's Simple Stevedescription Herbert Sigüenza, Unidentified, It's Simple Steve, ca. 1980, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.45.8artist/creator Sigüenza, Herbertcontributor Smithsonian American Art Museum (SAAM) -
Barbz '85
title Barbz '85descriptionartist/creator Barraza, Jesuscontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003
title Untitled, from portfolio Homage to Goya II, Disasters of War, 1983-2003descriptionartist/creator Chagoya, Enriquecontributor Smithsonian American Art Museum (SAAM) -
Huelga
title Huelgadescriptionartist/creator Jackson, Carlos Franciscocontributor Smithsonian American Art Museum (SAAM) -
Arrival 2: Braceros being sprayed with DDT, 1958
title Arrival 2: Braceros being sprayed with DDT, 1958descriptionartist/creator Jackson, Carlos Franciscocontributor Smithsonian American Art Museum (SAAM) -
The Nepantla Triptych (1 Nepantal, 2 Mi Nepantla, Beyond Nepantla)
title The Nepantla Triptych (1 Nepantal, 2 Mi Nepantla, Beyond Nepantla)descriptionartist/creator Cervántez, Yreina D.contributor Smithsonian American Art Museum (SAAM) -
Arrival (Braceros undergoing inspection before being sprayed with DDT, 1958)
title Arrival (Braceros undergoing inspection before being sprayed with DDT, 1958)descriptionartist/creator Jackson, Carlos Franciscocontributor Smithsonian American Art Museum (SAAM) -
Departure (Braceros Departing Mexico City for California, 1943)
title Departure (Braceros Departing Mexico City for California, 1943)descriptionartist/creator Jackson, Carlos Franciscocontributor Smithsonian American Art Museum (SAAM) -
Che
title Chedescriptionartist/creator Alcaraz, Lalocontributor Smithsonian American Art Museum (SAAM) -
I Want You...
title I Want You...descriptionartist/creator González, Xicocontributor Smithsonian American Art Museum (SAAM) -
La Despedida del Revolucionario
title La Despedida del Revolucionariodescriptionartist/creator González, Louie "The Foot"contributor Smithsonian American Art Museum (SAAM) -
Courbet and The Vendome Column III
title Courbet and The Vendome Column IIIdescription Rupert García, Courbet and The Vendome Column III, 1991, lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Gerald D. Kohs), 2020.20.103, © 1991, Rupert Garcíaartist/creator García, Rupertcontributor Smithsonian American Art Museum (SAAM) -
Graceland Apparition (El Vez)
title Graceland Apparition (El Vez)description Rubén Ortiz Torres, Graceland Apparition (El Vez), 1991, chromogenic print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.4.1, © 1991, Rubén Ortiz-Torresartist/creator Ortiz Torres, Rubénsubject Figure Group Costume Voice Presley, Elvis Theater Flags Visual quotation Performances Photographycontributor Smithsonian American Art Museum (SAAM) -
Virgin and Child
title Virgin and Childdescription David Taboada, Virgin and Child, 1986, drawing on cotton (paño), Smithsonian American Art Museum, Gift of A. Rudy Padilla, The Hourglass Prison Art Museum, 1998.126.12artist/creator Taboada, Davidsubject Christ Building Rainbow Mountain Peacock Mary, Blessed Virgin, Saint Prison art Visual quotation Pinto art Paños Pañuelos Handkerchiefscontributor Smithsonian American Art Museum (SAAM) -
Ixtaccihuatl and Popocatepetl
title Ixtaccihuatl and Popocatepetldescription Ricky, Ixtaccihuatl and Popocatepetl, 1995, drawing on cotton (paño), Smithsonian American Art Museum, Gift of A. Rudy Padilla, The Hourglass Prison Art Museum, 1998.126.9artist/creator Rickysubject Mexican Temple Indian Dress Ixtaccihuatl and Popocatepetl Prison art Handkerchiefs Paños Pañuelos Aztecs Pinto art Visual quotationcontributor Smithsonian American Art Museum (SAAM) -
Codex of Emma Tenayucca
title Codex of Emma Tenayuccadescription From the Codex Series, the painting honors labor activist Emma Tenayuca (1916-1999), who organized pecan shellers, mostly Mexican American women of San Antonio, Texas. Their strike for better labor conditions and higher wages in 1938 was the first successful large-scale action of the community's struggle for justice. The artist used a black and white photograph to create the portrait, and she added a Toltec warrior's pectoral. The labor organizer emerges from the maguey which is rooted to the earth. Coyolxauhqui, the Aztec moon goddess, sits on a half-moon and holds a rabbit. Much of the imagery is appropriated from the codices, including hieroglyphs and iconography. The cut tree in the top right corner is the artist's icon for Aztlan. Acrylic on canvas. Dimensions: 54” x 55”artist/creator Barraza, Santasubject Feminism Chicana art Tejana art Symbols Appropriation Coyolxauhqui (Aztec deity) Calendar art Hieroglyphs Codices Postmodernism Tenayuca, Emma, 1916-1999 Paintings Visual quotation Toltec warrior Borderlands Frontera Maguey Moon Ollin Portraits Serpents in art Tonallicontributor Santa C. Barraza -
Los Migrantes
title Los Migrantesdescription Drawn from a photograph by Russell Werner Lee (1903-1986), this is a portrait of two migrants, one a child, in a tent city of braceros. Pencil on mat board. Dimensions: 40" x 60"artist/creator Barraza, Santasubject Portraits Chicana art Immigration Immigrants Children Visual quotation Braceros Drawings Photorealism Tejana art Families Restingcontributor Santa C. Barraza -
Mujeres de Nepantla
title Mujeres de Nepantladescription This painting was created during a residency of the Nepantla Project organized by Gloria E. Anzaldúa (1942-2004) in Saratoga, California. The central image is La Llorona, who emerges from the water and from the cipactli, the crocodile. Shells, fish, and Coyolxauhqui's body parts float in the water, and the profile of her face appears in the moon. The tattoos on the two faces of La Llorona are appropriated from the codices. The soul of the fetus that she carries rises behind her. On the left, Malinche emerges from the maguey, and on the right, the artist's grandmother, Andrea, appears with a javelina, which locates the artist in South Texas. Other symbols are the butterfly, the hummingbirds, and the double-headed horse, appropriated from José Clemente Orozco. Oil on canvas. Dimensions: 63" x 72"artist/creator Barraza, Santasubject Chicana art Feminism Coyolxauhqui (Aztec deity) Nepantla Symbols Hieroglyphs Hummingbirds Maguey Javelina Paintings Tejana art La Llorona Tattoos Codices South Texas Butterflies Visual quotation Abuelas Mestizaje Malinche Moon Duality Indigeneity Nudes in art Portraits Rabbitscontributor Santa C. Barraza -
Torso of La Guadalupana with Holy Spirit
title Torso of La Guadalupana with Holy Spiritdescription From the Torso Series, the artist appropriates her own image of La Virgen Indigena (2016), focusing on the midsection of Guadalupe. The image is extended around the frame, making it appear three-dimensional and sculptural. The painting includes symbols, such as the dove representing peace and the Holy Spirit, and Mesoamerican hieroglyphs, such as the canto icon in the lower left. The gown is adorned with a band found in Mesoamerican codices. Acrylic on canvas. Dimensions: 12" x 12"artist/creator Barraza, Santasubject Chicana art Healing Mesoamerican Visual quotation Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Guadalupanas Paintings Tejana art Holy Spirit Doves Hieroglyphs Appropriationcontributor Santa C. Barraza -
Emiliano Con Zuecos
title Emiliano Con Zuecosdescription "Emiliano Zapata, after one of his most famous photographic portraits, holding an umbrella instead of a rifle, and naked from the waste down and wearing wooden clogs. Surrounded by text in English and Spanish that reads: Stock Cultural Images and Symbols; Cultural and Political Symbols that are Easily Recognizable; Unfortunately Overuse Has Rendered Many Of These Symbols Inane." Main colors are yellow, red and light blue Atelier 24; Coventry Rag 290 grms; I-size: 36 7/8" x 24"; P-size: 44" x 30"; Ed#:4/62, 20/62; Signed;, Inscription in pencil below the image reads: "Emiliano con suecos, 20/62, debatuc, 1994"print: José Alpuche; chopmark: embossed "SHG" on the lower left. COPYRIGHT WARNING The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. The Artist of any work retains all rights to that work. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self Help Graphics & Art http://www.selfhelpgraphics.com/ 3802 Cesar Chavez Avenue Los Angeles, CA 90063 323-264-1059 E-mail: cema@library.ucsb.edu Web: http://cemaweb.library.ucsb.eduartist/creator De Batuc, Alfredosubject Nudes Symbolism Zapata, Emiliano, 1879-1919 Mexican Americans Chicanos Wooden Clogs Umbrella Sword Bandolier Sombrero Image and text Screen prints Visual quotationcontributor Calisphere