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Maiz
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Para mis Jefitas since the Dawn of Time, c/s (May), from Calendario de Comida 1976
title Para mis Jefitas since the Dawn of Time, c/s (May), from Calendario de Comida 1976description Rodolfo O. Cuellar, Para mis Jefitas since the Dawn of Time, c/s (May), from Calendario de Comida 1976, 1976, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.41, © 1977, Rodolfo O. Cuellarartist/creator Cuellar, Rodolfo O.contributor Smithsonian American Art Museum (SAAM) -
Untitled (Cover), from Calendario de Comida 1976
title Untitled (Cover), from Calendario de Comida 1976description Ralph Maradiaga, Untitled (Cover), from Calendario de Comida 1976, 1975, screenprint on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.36artist/creator Maradiaga, Ralphcontributor Smithsonian American Art Museum (SAAM) -
Fiesta del Maiz (Black)
title Fiesta del Maiz (Black)descriptionartist/creator González, Louie "The Foot"contributor Smithsonian American Art Museum (SAAM) -
Fiesta del Maiz
title Fiesta del Maizdescription Luis C. González, Fiesta del Maiz, 1979, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.47.2, © 1979, Luis C. Gonzálezartist/creator González, Louie "The Foot"contributor Smithsonian American Art Museum (SAAM) -
Codex de La Llorona de la Diosa de Maize
title Codex de La Llorona de la Diosa de Maizedescription From the Codex Series, the artist visualizes a story that she learned from her mother. La Llorona emerges from the maguey which has a fetus. The diosa stands behind a corn plant, appropriated from a codex. Among the icons associated with La Llorona and the Corn Goddess are corn, cacao, water, a fetus, plants, a fertility symbol, and the sundial. Marble dust sourced from Mexico is used to create texture. Acrylic on canvas. Dimensions: 39 ¾" x 43 ½"artist/creator Barraza, Santasubject Calendar art Feminism Chicana art Tejana art Symbols Appropriation Hieroglyphs Codices Postmodernism La Llorona Maguey Corn goddess Indigeneity Landscapes Maiz Nudes in art Paintings Sun ray Tattoos Tonallicontributor Santa C. Barraza -
La Mano Poderosa de Coyolxauhqui
title La Mano Poderosa de Coyolxauhquidescription This painting was created during an artist residency of the Nepantla Project organized by Gloria E. Anzaldúa (1942-2004) in Saratoga, California. The central image is the Almighty Hand reimagined as the hand of Coyolxauhqui that emerges from a maguey and is surrounded by symbols. It is influenced by Anzaldúa's philosophy about Coyolxauhqui and the coming era of women's empowerment. Acrylic on canvas. Dimensions: 39" x 48"artist/creator Barraza, Santasubject Chicana art Feminism Coyolxauhqui (Aztec deity) Nepantla Five Rabbit Symbols Corn Hieroglyphs Hummingbirds Maguey Armadillos Roses Serpents in art Tlaloc (Aztec deity) Huitzilopochtli (Aztec deity) Tonalli Sun ray Flint Guadalupe, Our Lady of Tonantzin Virgen de Guadalupe Calli Paintings Tejana art Calendar art Maiz Eye of God Ojo de Dioscontributor Santa C. Barraza