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Girl with Mexican Flag
title Girl with Mexican Flagdescription Photograph of a young girl wearing a straw hat posing in front of Mexican flag while a man in a red shirt takes a photograph of her; there is a clown pinata, some brightly colored shirts, and a man standing in the background.artist/creator Mexic-Arte Museum (Austin, Tex.)contributor Portal to Texas History (TPTH) -
Child in Sombrero
title Child in Sombrerodescription Photograph of a small boy wearing a pancho and sombrero posing for a picture in front of the Mexican flag; there is photographer in front of him taking the picture, a woman watching on the right side, and other people visible in the background.artist/creator Mexic-Arte Museum (Austin, Tex.)contributor Portal to Texas History (TPTH) -
Display with Mexican Flag
title Display with Mexican Flagdescription Photograph of a glass display case hanging on a brick wall featuring 9 black and white photographs and the Mexican flag.artist/creator Mexic-Arte Museum (Austin, Tex.)contributor Portal to Texas History (TPTH) -
Photograph of a Woman Standing in Front of Flag Pole
title Photograph of a Woman Standing in Front of Flag Poledescription Photograph of a woman standing in front of a flag pole with trees, cars, picnic tables in background. The flag on the pole is the United States flag.artist/creator Unknownsubject Trees People - Ethnic Groups - Hispanics Flag Poles Flags Picnic Tables Business, Economics And Finance - Transportation - Automobilescontributor Portal to Texas History (TPTH) -
Photograph of Children on Steps of El Divino Salvador Church
title Photograph of Children on Steps of El Divino Salvador Churchdescription Photograph of a group of children, identified as the kindergarten class, on the front steps of El Divino Salvador Presbyterian Church in Corpus Christi, Texas. The girls are wearing dresses and the boys are wearing collared shirts and pants. A man in sunglasses is standing on the right and a woman holding an American flag is standing on the left. The church behind them is white with wood siding.artist/creator Unknownsubject Texas-Mexican Presbytery Religion - Denominations - Presbyterian People - Ethnic Groups - Hispanics People - Groups Flags People - Children Religion - Churchescontributor Portal to Texas History (TPTH) -
Photograph of Children in Front of El Divino Salvador Church
title Photograph of Children in Front of El Divino Salvador Churchdescription Photograph of a group of children on the steps of El Divino Salvador Presbyterian Church in Corpus Christi, Texas. The girls are wearing dresses and the boys are wearing collared shirts and pants. A woman is sitting to the right of the group and holding the American flag. A man is standing to their right. The church is white with wood siding. The group of children is described as people the kindergarten class.artist/creator Unknownsubject Texas-Mexican Presbytery Religion - Denominations - Presbyterian People - Ethnic Groups - Hispanics People - Groups Flags Religion - Churchescontributor Portal to Texas History (TPTH) -
Going After Bill
title Going After Billdescription Photograph of L-R: M.D. Bryant, Mr, Clay, Mr. Crossman, and Mr. Leslie in military uniforms and hats. They hold an American flag. Written on the back of the original photo is, "Going After Bill". This photo was included in a research paper by Mike Shurley for an American History class at Marfa High School in 1968.artist/creator Unknowncontributor Portal to Texas History (TPTH) -
Marfa High School Band in 1941
title Marfa High School Band in 1941description Photograph of the Marfa High School Marching Band in 1941.artist/creator Keith, Jimmiecontributor Portal to Texas History (TPTH) -
Cavalry at Bloys Campground
title Cavalry at Bloys Campgrounddescription This photograph shows a large group of people. In the front, there are five people sitting on a bench at a low table covered in books and other objects. There is a man in a suit standing in front of them, holding a United States flag on a pole. Back behind, there are people in uniform standing, and others sitting on horseback in a loose semi-circle. In the middle of the photograph there is someone with a movie camera. In the background, there are some trees and what appear to be some mountains. In the bottom right corner, there is a signature that says, "Keith, Marfa." On the back of the photograph, there is a handwritten note that reads, "1944. Big Bend Cavalry, Bloys camp meeting grounds. George Jones commander, R. J. Bledsoe adjutant. Met at Bloys camp mtg. grounds. Joe Peeney standing near table."artist/creator Unknownsubject Bloys Camp Meeting Association. Peeney, Joe People Uniforms Jones, George Horses Bledsoe, R. J. Military And War - Personnel Cameras Flagscontributor Portal to Texas History (TPTH) -
American and Texas flags
title American and Texas flagsdescription Photograph of a flagpole, viewed from the ground looking up with an American flag at the top and a Texas state flag below. A cloudy sky is visible above the pole. The image accompanied the conclusion of a written speech, with the caption: "To those who would protest the American life of challenge and accomplishment, I would remind them, our land has never been easy. [...] The land is rich, not only in landscape, but also in the heritage of those who have tried to tame it. This is My Land, My Heritage, My Hope" (p. 14)artist/creator Unknowncontributor Portal to Texas History (TPTH) -
The Horse Fountain
title The Horse Fountaindescription Photograph of a fountain with a sculpture of a horse on top of it in Fort Worth, Texas. An American flag and trees are visible in the background.artist/creator Belden, Dreanna L.contributor Portal to Texas History (TPTH) -
The Murals Of Estrada Courts. Tribute To The Farmworkers, Los Angeles, 1974
title The Murals Of Estrada Courts. Tribute To The Farmworkers, Los Angeles, 1974description The murals of Estrada Courts. Tribute to the farmworkers, 1974, 1311 Lorena Street. The United Farmworkers Union flag being raised over cultivated fields by modern day agricultural workers, a Spanish soldier from the era of the Conquest, and a pre-Columbian Native American. In acrylic on stucco, 32' x 24' by Alexandro C. Maya -- Dunitz, Street gallery, p. 302, #28 AS. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).subject Mural Painting And Decoration Agricultural Laborers Street Art United Farm Workers Of America Flagscontributor Calisphere -
The Murals Of Estrada Courts. Portraits Of Abraham Lincoln And John F. Kennedy, Los Angeles, 1973
title The Murals Of Estrada Courts. Portraits Of Abraham Lincoln And John F. Kennedy, Los Angeles, 1973description The murals of Estrada Courts. Portraits of Abraham Lincoln and John F. Kennedy, Los Angeles, 1973, 3347 East Olympic Boulevard (walkway). Portraits of Abraham Lincoln and John F. Kennedy in front of an American flag. Between the two men is an eerie list of comparisons. In acrylic on stucco, 32' x 24' by Frank Lopez-- Dunitz, Street gallery, p. 299, #28 W. "The murals were produced by a number of Chicano artists from Los Angeles, San Diego, and Northern California between 1972 and 1978, during the height of the Chicano civil rights and art movements" -- Estrada Courts at http://www.heritagepreservation.org/RPM/archive.html (viewed on Dec. 2, 2012).subject Lincoln, Abraham, 1809-1865 Mural Painting And Decoration Kennedy, John F. (John Fitzgerald), 1917-1963 Street Art Flagscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gesture Candles Masks Flagscontributor Calisphere -
1992: Performance Still
title 1992: Performance Stilldescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Candles Flagscontributor Calisphere -
Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; Immigrants
title Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; Immigrantsdescription A collaborative project by Judith Baca and over 400 employed youths and artists. The first one thousand feet were painted during the first summer of work in 1976. Additionally the first one thousand feet were divided into sections of 100 feet each. Although the content is highly integrated, each section was designed by a different artist under the general supervision of Judith Baca. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Narrative mural depicting California history from prehistory thru the 1920s. The concluding 100 feet of first summer's work. It pays homage to the new wave of immigrants and their labor, important in the development of this region. Designed by Isabel Castro, the section begins with an image showing these new arrivals in a wave of flags which indicated their varied origins. Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Mural Painting And Decoration History Employees Narrative Art Immigrants Symbolism California Flagscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Headdresses Flagscontributor Calisphere -
Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; World Ward I
title Great Wall Of Los Angeles: Detail: 1890 Los Angeles Mountains To The Shore; World Ward Idescription A collaborative project by Judy Baca and over 400 employed youths and artists. The Great Wall was initially a beautification project proposed by the Army Corps of Engineers in 1974. Under the direction of Baca, the mural transformed into a bold illustration of the history of California from the state's prehistoric past to the struggles of its ethnic minorities for civil rights and equality. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Los Angeles Valley College Narrative mural depicting California history from prehistory thru the 1920s. The concluding 100 feet of first first summer's work. It pays homage to the new wave of immigrants and their labor, important in the development of this region. The segment continues with the invention of the car and airplane, which shaped the development of 20th century California. Paintings Tujunga Wash, Los Angeles (California)artist/creator Baca, Judith Franciscasubject Automobiles Mural Painting And Decoration History Airplanes Technological Innovations Employees World War, 1914-1918 Narrative Art Medals Immigrants Symbolism Horizon Agriculture California Flagscontributor Calisphere -
Estrada Courts: Tribute To Farmworkers
title Estrada Courts: Tribute To Farmworkersdescription Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintings The United Farmworkers Union flag is shown being raised over cultivated fields by modern-day agricultural workers, a Spanish soldier from the era of the Conquest, and a pre-Columbian Native American.artist/creator Maya, Alexandro Csubject Mexican American Art Mural Painting And Decoration Aztec (Culture Or Style) History Employees Low-Income Housing Guadalupe, Our Lady Of Mexico Symbolism Agriculture California Flagscontributor Calisphere -
Estrada Courts: Two Flags
title Estrada Courts: Two Flagsdescription A man holding flags and a baby while standing on an Olmec head. Boyle Heights (Los Angeles, California) Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) East Los Angeles (California) Estrada Courts (housing complex) Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California and is well known for its murals, which reflect the Chicano barrio culture and traditions of the area. Paintingsartist/creator Ramirez, Sonnysubject Mexican American Art Mural Painting And Decoration Skyscrapers History Eagles Low-Income Housing Mexico Symbolism California Flags Olmecscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
1992: Performance Stills
title 1992: Performance Stillsdescription A performance trilogy deconstructing the discovery of America by Christopher Columbus 500 years previous. Digital Library Development Program, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/digital-library) Most of Gómez-Peña’s characters are hybrids, half traditional and half contemporary, half Mexican and half Chicano. During the performance the characters undergo constant transformations seen through overlapping props, costumes and makeup. Each character articulates within himself a series of cultural contradictions which are at the core of the US-Latino experience. Museum of Contemporary Art (Los Angeles, California) Performing Arts (including Performance Art) Photographssubject Lighting Political Art Humor Imperialism Satire (Artistic Device) Performance Art Costumes Gómez-Peña, Guillermo Candles Flagscontributor Calisphere -
America: Wall Of "Flags" Made Of Colored Sand
title America: Wall Of "Flags" Made Of Colored Sanddescription For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 416) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Yanagi, Yukinorisubject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
America: Detail Of Ants Removing Sand From U.S. "Flag"
title America: Detail Of Ants Removing Sand From U.S. "Flag"description For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 417) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Yanagi, Yukinorisubject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
America: Wall Of "Flags" Made Of Colored Sand
title America: Wall Of "Flags" Made Of Colored Sanddescription For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 418) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
America: Detail Of Plexiglas Case Where Ants Bring Colored Sand From "Flags"
title America: Detail Of Plexiglas Case Where Ants Bring Colored Sand From "Flags"description For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 419) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
America: Detail Of Canadian And United States "Flags"
title America: Detail Of Canadian And United States "Flags"description For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 420) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Yanagi, Yukinorisubject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
America: Detail Of Colored Sand
title America: Detail Of Colored Sanddescription For inSITE94, Japanese artist Yukinori Yanagi contributed two distinct installations titled "Wandering Position/Vagamundos" and "America/America," which were installed at the Santa Fe Depot and the downtown space of the Museum of Contemporary Art, San Diego, respectively. Yanagi's work "America" had been installed previously in variations at different institutions around the world. For this installation the artist chose to include thirty-six flags of each country of the Americas in his elaborate ant farm. Over the course of the exhibition the ants created tunnels through the various flags and the colored sand that was used was gradually mixed, thereby creating new symbols. -- inSITE94 Museum of Contemporary Art, San Diego Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image is a scan of a 35mm color slide from the InSite Archive (MSS 707, Box 311, Folder 02, Item 414) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.subject Sandpaintings Political Art Humor Paintings (Visual Works) Sculpture (Visual Work) Nationalism Performance Art Insite94 Drawings (Visual Works) Process Art Border Art Flagscontributor Calisphere -
Heroes Of War: Veterans Museum Interior With Flags
title Heroes Of War: Veterans Museum Interior With Flagsdescription "Heroes of War," by Gonzalo Lebrija, is a video installation projected in the auditorium of the San Diego Veterans Museum in Balboa Park. Over a year before, Lebrija began working with veterans at the Veterans Home of California in Chula Vista. Gonzalo's goal was to intervene in the museum space, creating a curatorial discourse that approximates a creative group experience. Gonzalo participated in a number of reunions of former prisoners of war, or POWs. These experiences led him to explore the notion of military paraphernalia and veterans' narratives. Gonzalo filmed a number of individuals while they discussed the public recognition accorded to them and their actions as servicemen in times of war. --inSite_05 Film, Audio, Video and Digital Art Sculpture and Installations Special Collections & Archives, UC San Diego, La Jolla, 92093-0175 (https://lib.ucsd.edu/sca) This image was extracted from a DVD-R from the InSite Archive (MSS 707, Box 188, DVD 01) Veterans Museum, Balboa Park (San Diego, Calif.) [Title, Date]. InSite Archive. MSS 707. Special Collections & Archives, UC San Diego.artist/creator Lebrija, Gonzalo, 1972-subject Political Art Veterans Public Art Insite_05 Mexican-American Border Region Prisoners Of War Soldiers Memorials Military Museums Installations (Visual Works) Flags Video Artcontributor Calisphere -
Con Cariño, Lydia Mendoza
title Con Cariño, Lydia Mendozadescription "A portrait of a Mexican American woman dressed in a full length Mexican "Folkloriko" dress. She is holding the top of an upright acoustic guitar. The entire image is framed by a red stripe." Colors used: Bluish Purple-Dark Blue Blended into Light Blue, White (w/ blue tint), Sierra, Ochre, Gold Pearlescents, Green, Red, Purple-Transparent, Opaque Blue/Black. The artist of any work retains all rights to that work. Copyright has not been assigned to the Regents of the University of California. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. No further reproduction is permitted without prior written permission by the artist or copyright holder. Any requests for permission to reproduce this piece must be directed to: Self-Help Graphics & Art 3802 Cesar E. Chavez Avenue Los Angeles, CA 90063 For further information: (323) 881-6444 Fax: (323) 881-6447 info@selfhelpgraphics.comartist/creator Hernandez, Estersubject Singers Mendoza, Lydia Mexican American Art Eagles Chicano Art Musical Instruments In Art Prints Mexican Americans Chicana Art Musicians Women In Art Posters Chicanas Graphic Arts Chicanos Flagscontributor Calisphere -
All American Indian Week At Wrigley Field
title All American Indian Week At Wrigley Fielddescription Five members of an unidentified charro organization, are pictured sitting atop their horses, two of which hold flags; a 'Participant' ribbon is pinned to each of their jackets. The charros participated in the All American Indian Week festival, which featured many arts and crafts demonstrations, Indian lore displays, war dance contests, a horse show and an authentic teepee village, to name a few was held at Wrigley Field located on 4th St. and Avalon Blvd. All proceeds from the show were given to various Indian social and educational programs. Photograph dated 1968. See images 00119272 through 00119316 and 00138014 for additional photos in this series. Rolland Joseph 'Speedy' Curtis was born in Louisiana in 1922. After serving three years in the Marines during World War II, he and his wife, Gloria, relocated from New Orleans to Los Angeles in 1946. Curtis served four years with the Los Angeles Police Department, but resigned from the force in order to pursue both a Bachelor's and Master's degree from USC. He later became involved in city politics, as an associate of Sam Yorty, and later a field deputy to City Council members Billy Mills and Tom Bradley. He was briefly director of the Model Cities program in 1973. Rolland J. Curtis died in his home in 1979, the victim of a homicide. An affordable housing complex on Exposition Blvd. near Vermont Ave. was named in his honor in 1981, along with a nearby street and park. Title supplied by cataloger.artist/creator Made Accessible Through A Grant From The John Randolph Haynes And Dora Haynes Foundation Curtis, Rolland Jsubject Flags Clothing And Dress Horseback Riding Lost Architecture Mexican American Women Wrigley Field (Los Angeles, Calif.) Horses Stadiums Charros Associations, Institutions, Etc Los Angeles (Calif.) Mexican American Mencontributor Digital Public Library of America (DPLA) -
All American Indian Week At Wrigley Field
title All American Indian Week At Wrigley Fielddescription Five members of an unidentified charro organization, are pictured sitting atop their horses, two of which hold flags; a 'Participant' ribbon is pinned to each of their jackets. The charros participated in the All American Indian Week festival, which featured many arts and crafts demonstrations, Indian lore displays, war dance contests, a horse show and an authentic teepee village, to name a few was held at Wrigley Field located on 4th St. and Avalon Blvd. All proceeds from the show were given to various Indian social and educational programs. Photograph dated 1968. See images 00119272 through 00119316 and 00138014 for additional photos in this series. Rolland Joseph 'Speedy' Curtis was born in Louisiana in 1922. After serving three years in the Marines during World War II, he and his wife, Gloria, relocated from New Orleans to Los Angeles in 1946. Curtis served four years with the Los Angeles Police Department, but resigned from the force in order to pursue both a Bachelor's and Master's degree from USC. He later became involved in city politics, as an associate of Sam Yorty, and later a field deputy to City Council members Billy Mills and Tom Bradley. He was briefly director of the Model Cities program in 1973. Rolland J. Curtis died in his home in 1979, the victim of a homicide. An affordable housing complex on Exposition Blvd. near Vermont Ave. was named in his honor in 1981, along with a nearby street and park. Title supplied by cataloger.artist/creator Made Accessible Through A Grant From The John Randolph Haynes And Dora Haynes Foundation Curtis, Rolland Jsubject Flags Clothing And Dress Horseback Riding Lost Architecture Mexican American Women Wrigley Field (Los Angeles, Calif.) Horses Stadiums Charros Associations, Institutions, Etc Los Angeles (Calif.) Mexican American Mencontributor Digital Public Library of America (DPLA)